【民族誌影像工作坊：芭芭拉·艾菲 Barbara Keifenheim】
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課程介紹
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第一堂課：
感官人類學（Anthropology of the Senses）
時間：10月18日（三）09:00-12:00
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Barbara將會放映她自己的作品：
《Naua Huni–Indians Watching the White World》（1979, 60 min），
同時分享她以Kashinawa Indians為對象、20幾年的田野經驗，
尤其是她如何感覺到文字本身的有所不足，
進一步以電影及其實驗性方法作為研究工具，
並開啟了感官人類學此一新的路徑之心路歷程。
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第二堂課：
感知的危機（Crisis of Perception）
與展演紀錄片（Performing Documentaries）
時間：10月19日（四）09:00-12:00
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Barbara將會放映她自己的作品：《Touching Eyes》（2000, 26 min），
以及幾個展演紀錄片（Performing Documentaries）的案例，
並與所有學生討論關於這類影像的問題意識，
尤其是在影像過度飽和的全球脈絡之下，紀錄片的意義如何正在改變之中……。
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第三堂課：
企劃與製作
時間：10月20日（五）09:00-12:00
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由學生輪番上台發表自己的紀錄片製作，
Barbara將一一針對學生的企劃提案，給予提問、回饋與建議。
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第四堂課：
感官之觀察
時間：10月20日（五）1800-21:00
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Barbara指導學生如何進行不攜帶攝影機的感官觀察，
並透過走訪夜市進行實際練習，會後再由師生們分享各自所觀察到的成果與發現。
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人物／影片介紹
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說明內容
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芭芭拉·艾菲
（Barbara Keifenheim） |
1946年生於德國Koblenz，1982年取得法國巴黎Sorbonne大學民族學博士，
1999年獲得柏林Free大學的Habilitation資格，
精通德、法、英、拉丁、西班牙、Kashinawa等語言，
並在歐洲與中國各地有豐富之教學經驗，
自1977年開始迄今，以祕魯的Kashinawa Indians作為田野對象，
除發表多篇視覺人類學的學術論文之外，亦製作有多部相關的民族誌影像。
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NAUA HUNI–
Indians Watching the White World
60 min., 2009(1984)
A film by Barbara Keifenheim and
Patrick Deshayes
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The Kashinawa Indians of the Peruvian Ammazon who had never seen filmic images before, here watch films which the two anthropologists have shot in an industrial region of Germany. B. Keifenheim and P. Deshayes record the reactions during and after the screenings and by this method reveal the indigenous imagination about the world of the Whites. In the same time appears that the Kashinawa compare filmic images with drug induced visions. In their language “Naua Huni” means as well “white man” as “hallucination”. |
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Touching Eyes
Beta SP, 26 min.
A film by Barbara Keifenheim
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The film relates an encounter between two women whom everything appears to separate.
For professional reasons and with no time for preparation, Barbara,
a European of around 50, ends up in South China without
being able to read or speak a single word of the country's language.
In the urban jungle of the provincial capital of Kunming,
she can make herself understood only with prepared index cards on which
her colleagues have written some useful addresses and a few everyday expressions.
To make sure, the Chinese characters are accompanied by a directional arrow
so that they won't be shown upside down.
Han Li, 17 years old, has been blind since birth and has been living away from her family
in a training institute for the blind for 10 years,
an institute which she has practically never left in that time.
She has almost completed her training as a masseuse and knows that
she will soon have to leave Kunming.
One day, Barbara visits the massage department of the school
in search of relief for her aching feet.Han Li, who has learned English,
is assigned to the foreigner as a therapeutic masseuse.
Beyond the cultural differences and the language and age barriers,
a tender friendship develops.Through mutual giving and taking,
they manage to break through their limitations and,
with astonishment, conquer "their" Kunming before their paths divide again.
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